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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。晚清末年，社会动荡，深宫之中，文渊阁里净坛密藏宝图失窃，为争夺这份几乎能改天换地的宝藏，各方势力蠢蠢欲动。而曾经的御前带刀侍卫门三刀，也被内务府派遣，寻回宝图，并揪出背后势力。 此时，天津大沽县内，一家客栈突发命案，从日本回来的九人无一生还，死状惨烈。因废除科举而弃笔从戎的县衙捕快王地保赶到现场，学识丰厚的他通过死者伤痕和作案手法，当场便判断出此案乃是棱西一带融天岭门人犯下，为了将凶手缉拿归案，王地保不顾县衙反对独自追凶。 另一边，融天岭掌门人卓不凡刚收到手下来报——九人已杀，接头信息拿到手。原来，净坛密藏所在之处是多年来朝廷探而不得的秘密，而最近当朝祺亲王得到消息，打开宝藏的秘密就掌握在谭先手中。祺亲王一心推行变革，需大笔钱财周转；而卓不凡为光耀门派，传承武学，在中原设立总坛，也需金银奠基，并获得朝廷支持；故而，各怀目的的二人一拍即合，决定联手夺宝！ 急于复兴门派的卓不凡根据情报立马赶往上海寻找谭先；忠于朝廷的门三刀很快也通过推理断案，将目标锁定卓不凡，去往上海追回藏宝图；尽职尽责的王地保为缉拿凶手，也奔赴千里追凶。三人各怀简单却坚定的目标踏足十里洋场，却不知道，此刻开始，他们便被迫卷入一场恢弘的历史浪潮中。。年轻的报社记者庄雨澜单纯、冒失且不谙世故，由于和主编闹翻而阴错阳差来到了一个叫“追梦谷”的高尔夫球场做会员销售部工作。在这神秘、美丽的“追梦谷”，雨澜见到了形形色色来打球的各界“精英”，并结识了精明漂亮的销售主管孙卉，她为雨澜传授在追梦谷生存的技巧；还有冷漠而高傲的教练王磊，关于他的种种传言又增加了他的神秘……。