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33岁的秋山美里（观月亚理莎 饰）是私立女子学校里的历史老师，因为身边接触的大都为女性，又一心埋首于工作个性强硬不服输，眼看着已是奔四之人，美里的感情生活仍旧一片空白。 一位名叫神坂真一（小池彻平 饰）的临时工的到来让整个校园里洋溢起了粉色的气息。真一年轻帅气，踏实肯干，不仅是情窦初开的学生们对他心心念念，就连为人师表的教职工们亦对他信任有加，可是即便如此，好评如潮的真一依旧没能打动美里的心，在美里的眼中，真一不仅拿着少得可怜的临时工资，还是一个小她十岁的“年轻人”。抱着这样的观念，会有怎样的趣事发生在两人之间呢？。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。