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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。某市公安局分队长罗剑锋在追捕逃犯时，将妻妹葛珊以窝藏罪逮捕，出狱后的葛珊为了气罗剑锋，不得已和以前的男友万子龙又混在一起。于是罗剑锋派机灵的小伙子候杰暗中侦察葛的近况，候发现葛其实是个单纯善良的女孩，于是决定帮助她重新面对生活。万子龙私下是个干各种非法勾当的人，葛知道后劝说他悔改，万不但不听，还挟持了葛去抢劫银行，候为了救葛被子弹击中。最后，在正义的枪声下，万子龙也被当场击毙。。