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讲述凯伦为了得到一个男爵夫人的称号，离开故土丹麦远嫁东非肯尼亚，并邂逅英国贵族邓尼斯，两人暗生情怀的故事。。1900年春，青城水烟商家孟府的大公子孟祥河带着妻儿回到青城，卷入了林奇川、孙三一伙侵吞孟家产业的凶险漩涡。靠自己的枪法和同骆五、王管带的关系，孟祥河让林奇川一伙断绝了吞没孟家财产的念头。凭借敏锐的商业嗅觉，孟买下了滞销的大量水烟，成为青城首富。辛亥革命爆发后，孟组织青城商界为革命军筹集资金，差点被林奇川一伙害得家破人亡。1937年，日军侵略中国，派飞机轰炸兰州城。孟祥河儿子孟岸、儿媳林琅为掩护民众撤离而被炸死。儿子﹑儿媳的牺牲使其更加坚定了抗日决心，主动上门找林奇川冰释前嫌，共谋抗战大业。在亲人的尸骨面前，两位几十年的仇敌，在民族危难的大是大非面前尽释前嫌，携手组织“抗日同盟会”，并散尽家产，将所得银两全部捐给了“八路军兰州办事处”，支援民族抗日大业……。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。