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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。The fourth installment of the 'Hate Story' franchise.。鲍勃(洛克•哈德森 Rock Hudson 饰)是一个整日里游手好闲的花花公子。一次搭乘潜艇出海是,鲍勃遭遇了海难,警方带来了镇上的唯一一个人工呼吸器,救了鲍勃一名。但医院院长菲利普却在同时病发,因为没有呼吸器而死去了。得知了这一消息,鲍勃感到十分内疚,他决定倾其所有来帮助菲利普的遗孀海伦(简•怀曼 Jane Wyman 饰)。 然而,菲利普的好意却意外的令海伦双目失明。鲍勃隐姓埋名陪伴在失明的海伦的身边,在不知道鲍勃的真实身份的情况下,海伦对鲍勃渐渐产生了好感。最终,鲍勃表明了身份希望海伦能够嫁给他,在得知了一切的真相后,海伦选择了离开。。