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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。寒山寺传来的阵阵钟声，把姑苏古城从晨霭中唤醒，女导游陈蔼然又开始了繁忙的一天。华裔老人宋尚清迢迢万里来到姑苏，却拒绝了旅行社安排的一切活动。原来，宋尚清祖籍山东，幼年时因家境贫困去海外谋生。几十年中历经人世间的冷漠和欺凌，此次回国，便是想寻觅往昔的宁静和乡音。宋尚清巧遇族亲，老人悲喜交加。陈蔼然得如此事，积极安排，使老人和国内亲属团聚。最后，宋尚清将传家之宝犀牛角杯献给古城，高兴地踏上归途。老人走后，陈蔼然开始接待日本旅游团。团员鬼冢在战争期间失去了两个儿子，团员田畑武雄在侵华战争中充当炮灰，怀着赎罪的心情重访故地。陈蔼然对他们怀着复杂的心情，因为她的祖父是在南京大屠杀中丧生的。但她从大局出发，以礼相待，使他们安心而归。华裔青年麦阿大和阿方被父母送回内地戒毒。他俩不断被毒瘾折磨，以致失去戒毒的信心。陈蔼然晓之以礼，动之以情，终于使兄弟俩坚定了戒毒的信心，开始新的生活。陈蔼然自称“独身主义者”，内心深处却默默爱着为她辅导唐诗的李老师。她的外国女友露易斯自称“既不当妻子，也不想做母亲”，但暗中对李老师一往情深。这使三人都陷入了复杂的感情漩涡。陈蔼然将如何选择和安排她的个人生活呢？。